Lack of Prestige (Magicians Veil) pre production!

So scripting this one has had a lot of stages...

We began looking at it a few months ago, there were a few formatting issues and small mistakes but overall it was a strong film with some great characters, ideas and a really strong voice that bridges comedy and drama. We kept all of that good stuff but streamlined and formatted the script. The problem we then had was that there were two narratives. It begins with Nick, an aging market seller, being entranced and introduced to the world of magic and overcoming his skepticism. The second narrative was a battle with the magician and Nick against a "Prophesist". We tried as hard as possible to make that work and discussed a possible drug plot to make it grittier. However even with all the changes it didnt feel right and we had over 12pages of script so something had to go. We spent a lot of time deciding what to cut and settled on the fact that we could only use 1 narrative of the two, out of the two we chose Nick being introduced to the world of magic, to me it seemed the funnier and more relatable part of the film.

With that in mind Christi went away and rewrote/ adjusted what we had sent it on to me and I edited it a little and we think its about ready. Christi isn't happy with the ending but for now we will keep it as it is and if he rewrites something fantastic we will use it. Although the project has changed a lot I think it fits the brief a lot better and am looking forward to filming it!

All of our next film will be shot in the night time(ish) and will be outside in streets and markets so we looked around sheffield with a camera to see how it would look on film. Lights were not available so it wasn't a great test but we suspect if we can find a location where the background is lit well lighting the characters with small spots shouldnt be too tricky.

This first shot is on the market in sheffield and will be practically the same as the first shot of the film.

We got a large selection for each area and these are some of the best. We will use locations that have good lighting but are also interesting to look at we hope some of these will work out.

Through its many forms of script there have been a lot of different influences and inspirations, what we have arrived at takes parts from all of them and rejects other sections.

At its inception it was described to me as a "gritty realistic" portrayal of urban magic, despite it not turning out this way in the end it immediately pointed us in the direction of films such as This is England (2006 Shane Meadows) and many other Meadows films. They encouraged us to add an aspect of violence and or drugs that in "gritty British" films unfortunately represent Britain realistically. This model isn't just perpetuated by Meadows, many British films, specifically those set in London, portray Britain in this way such as Harry Brown (2009 Daniel Barber) and Kidulthood (2006 Menhaj Huda). We attempted to add a more violent and drug orientated subplot to the film but on development it became clear that this style was not right for the lightheartedness of the film.

For some time we moved in the opposite direction, it was suggested in one of our feedback sessions that we consider our audience, could this be a children's or family film? This lead us to look a little at films like The Sorcerer's Apprentice (2010 Jon Turteltaub) which deals with magic in a very realistic way. We kept the realistic aspect of the film but didn't want a family audience, a lot of our comedy comes from our character who's traits depend on his rudeness and brash qualities which contrast comically with the magicians manners.

Another film which springs to mind for me, in reference to both narrative and characteristic inspiration is The Fisher King (1991 Terry Gilliam). The slight arc at least of characters being introduced to new worlds fits nicely. The characters also share similar but not exact characteristics, at very least they are similarly opposite and the ways in which they react to one another and ultimately work together similarly reflects our film.



This is England, 2006, Meadows S. UK, Big Arty Productions, Film4.
Harry Brown, 2009, Barber D. UK, UK Film Council.
Kidulthood 2006, Huda M. UK, Stealth Films, Cipher Films.
The Sorcerer's Apprentice, 2010,Turteltaub J. USA, Walt Disney Pictures, Jerry Bruckheimer Films.
The Fisher King, 1991, Gilliam T. USA, Columbia Pictures Corporation